WHAT CRITICS SAY
The Bureau County Republican re: Forever Plaid:
"He’s the most assured musician, doing nice turns both on melodica and piano, and his solo in the Perry Como tribute ‘Catch a Falling Star’ shows off a crisp focused tenor"
The Leaf Chronicle re: Ring of Fire: The Music of Johhny Cash
"...or the cool, easy characterization, sincere story telling and vocal range of Nathan ... I couldn’t have asked for a more entertaining evening."
Daily Princetonian re: Falsettos
"Freeman's voice is distinctive and strong and shows remarkable range stylistically. Tackling ballads, up-tempo tunes and angry songs alike, Freeman's intensity and effortless vocal riffs are a pleasure to witness."
Princeton Packet re: Assassins
"Nathan Freeman is an exciting John Wilkes Booth, unapologetic, urbane and focused."
Daily Princetonian re: The Wild Party
"spellbinding and macabre performance as Burrs"
NYTheatre.com re: a la mode
"In a cabaret act that would surely sweep the nation, God (Nathan Freeman) tickles the ivories for a velvety voiced Serpent (Bryan Black), a highlight of the show."
OOBR re: Guys and Dolls
"Audiences were lucky to get Nathan Freeman and Chazmond J. Peacock as Benny Southstreet and Nicely-Nicely Johnson, the two most prominent supporting players."
Danbury News-Times re: Alice in Wonderland
"A few of the performers obviously are more talented than they are allowed to demonstrate here: Freeman has the right antic air for the Mad Hatter"